When it comes to reading webcomics, I have a set list of nine “dailies” I read and a few that I read which update less frequently. And while I’ve definitely settled on these few, that doesn’t mean that I haven’t read other webcomics or aren’t familiar with their work. Also, my love of comics and comics strips isn’t exactly a casual one; hell, my high school Extended Essay was about the role of women in comic books from the 1940s to the 1990s.
Due to having gotten hired full-time by the place I’d been temping for all summer, I was only able to go to the New York Comic Con for two days instead of four this year. As a result, I had to carefully pick and choose which panels I attended, making sure that nothing overlapped too much and that I had ample time to get from one panel room to the next before the official start time.
The very first panel I attended on Saturday was for Womanthology, a highly successful Kickstarter-funded project whose aim is to bring more attention to writers and artists who want to create comics by pairing up new and unproven talent with other creators who have already been working in the industry. The unique part about this project is that all of the creators involved are female.
I’m pleased that I was able to get in to see this panel, and when you listen to the audio, you may understand why as well. Show notes after the jump:
Once again, Geeking Out About was at the New York Comic Con, which was held at the Javits Center in New York City. Our review of the show will be uploaded later, but for now I’d like to present to you some highlights from how I spent my Saturday and Sunday. Complete information and links can be found below:
Picking up where I left off, I didn’t stay very long in the southern end of the Javitz Center because the one panel I’d RSVP’d for was in the northern end of the hall with the majority of the large publishers, game companies, and stores.
When I registered as a member of the Press, I had to supply my email address, presumably so that I could receive a confirmation that they received my information. What also happened is that as the convention grew new, my Inbox became flooded with press releases from those same publishers, game companies, stores, and individuals who wished to promote their panels and get members of the Press to write about their work.
I’m not sure if that’s how they operate over at Comic Con in San Diego, but I will say that it was a very smart thing for Reed to do because if it weren’t for that, I wouldn’t have known about the panel featuring Jon Chu from the LXD. Continue reading “Trisha’s Take: How to get the most out of one day at a convention, part 2”
When I was a nascent comics fan in the mid-1990s, one of the most important things I learned about the art was that Rob Liefeld can’t draw feet.
Since then, I’ve learned that the former Marvel Comics wunderkind who created X-Force and one of the founding members of Image Comics also can’t draw women, men, guns, pouches, and quite a few other things. In addition, by not fixing these kinds of errors, I always got the impression that he didn’t seem to care that he was a bad artist; one family friend of his told me back then that he was “laughing all the way to the bank.”
Even now, after all these years, my impression of Liefeld and his work has never been a positive one… until now. Continue reading “Trisha’s Link of the Day: Well played, Rob Liefeld”
Until a miracle happens and I’m able to justify spending gobs of money to go, it’s highly unlikely that I’m going to be able to provide the kind of coverage of Comic Con (aka “Nerd Prom”) or any other major geekfest that you deserve. However, what I can do now and going forward is to highlight the stuff that really turned my crank:
- “The Gray Lady” may have been able to make the con relatable to its older readers and audiences, but Michael Buckner’s photograph of Dame Helen Mirren—star of the upcoming Red, based on the graphic novel by Warren Ellis—stole that panel’s show and put things in perspective by showing up in a T-shirt memorializing recently deceased American Splendor creator Harvey Pekar. I’d like to think he would have gotten a kick out of that. (Source: The New York Times)
- Did you realize that there was an Iron Man anime series? No, not “animated” as in the 1994 TV series starring the voice of Airplane‘s Robert Hays as Tony Stark, but a new series created by Studio Madhouse (Ninja Scroll, Black Lagoon) in conjunction with Marvel Studios. At the SDCC panel, new executive vice president and head of television Jeph Loeb (“Heroes”) and Madhouse COO Masao Maruyama confirmed that the series will launch in the U.S. and Canada in 2011, after its debut in Japan on October 1 on the G4 network. Other Marvel anime series which will also appear on the network in the U.S. are Wolverine, X-Men and Blade, and it sounded like negotiations were forthcoming on whether or not all four would also appear on G4 in Canada. (Source: ANN)
- If anyone took director Guillermo del Toro up on his offer to show him their work, I’d love to hear the story. No, seriously; this is what he told fans at his Q&A panel:
“I cannot read screenplays, but if you have a portfolio, or you have a short you want me to see, fuck it, give it to me. If you see me on the floor, accost me,” he challenged the crowd. And he also gave his public email address for them to contact him.
(Source: The Hollywood Reporter Heat Vision blog)
- It was sing-a-long time at the “Big Bang Theory” panel, moderated by TV’s Wil Wheaton, where the Barenaked Ladies performed the entire theme song and not just the TV edit to a room full of fans. (Source: The Hollywood Reporter Live Feed blog)
More to come when I’m feeling less tired.
When news broke on Monday that American Splendor creator Harvey Pekar was found dead in his Cleveland Heights, Ohio home, I wrote via Twitter: “I didn’t have the pleasure of meeting him in person, but [Pekar] is and will always be an inspiration to struggling creators.”
Pekar is best-known for the pioneering comics series American Splendor which told the story of Pekar’s own life and the lives of the people around him in his home in Cleveland. It was this series which lead to several guest appearances on “Late Night with David Letterman,” the last of which in 1987 got him banned from the show: Continue reading “RIP: American Splendor creator Harvey Pekar (1939-2010)”
- Ever since Spirited Away was the second movie to win the Best Animated Feature award and the first anime (and non-English language) movie to win, anime and animation geeks have been keeping a close eye on this Academy Awards category. The newest change in the rules of the category, amongst other rules changes, were announced, including this death blow for films like Avatar which featured extensive use of new technology: “”Motion capture by itself is not an animation technique.” (Source: ANN)
While I am not a total dance geek or nerd, I loved watching the ballroom dance competitions on my local PBS affiliate as a kid; Strictly Ballroom is one of my favorite movies as a result of this childhood fascination as well.
The best part of watching the ballroom dance competitions were the exhibition dances where notable pros and amateurs got to “go wild” and show off their more fun routines, flips, spins, and aerial lifts. And just like in competitive ice skating, if there are costumes, it’s even better.
Well, I believe I’ve found one video that not only exemplifies the fun of watching ballroom dance, but also adds in an additional geeky flair, courtesy of dancers Orion Hall and Colleen Vernon:
Back in May, the Internet was a-buzz with the release of the Batman XXX: A Porn Parody trailer. And while I’d normally link it here because I’m not a prude and I’m assuming you all are adults, I won’t because even if the version on the BoingBoing site is totally “safe for work,” I still feel guilty even writing about it while I’m at my desk.
However, what I really wanted to link you to is this oh-so-clever review of the film done in comic-strip form by by Ward Sutton, mostly because he manages to take every visual incarnation of Batman there ever was (including the LEGO version) and put them all into one strip. That takes a lot of artistic talent, and reminds me of the Batman: TAS episode called “Legends of the Dark Knight” (yes, the one with the poke-in-the-eye for Joel Schumacher), which did the same thing, but animated (they stuck to Dick Sprang and Frank Miller’s work).
The review alone—especially Sutton’s assertion that they used the actual 1960s TV series Batmobile—is pretty damn awesome and has firmly placed the movie into a “Rent if you’re secure enough not to download or pirate porn” list.