The more I cover “Marvel’s Agents of S.H.I.E.L.D.”, the more I internalize that the new Marvel movie-verse is for folks like me who like their properties and their heroes but don’t want to be bothered with umpteen years of comics continuity or having to catch up with all the comics continuity on a weekly basis. And there should be nothing wrong with that.
Here’s a synopsis:
Part 1 begins as Harry, Ron and Hermione set out on their perilous mission to track down and destroy the secret to Voldemort’s immortality and destruction—the Horcruxes. On their own, without the guidance of their professors or the protection of Professor Dumbledore, the three friends must now rely on one another more than ever. But there are Dark Forces in their midst that threaten to tear them apart.
Meanwhile, the wizarding world has become a dangerous place for all enemies of the Dark Lord. The long-feared war has begun and Voldemort’s Death Eaters seize control of the Ministry of Magic and even Hogwarts, terrorizing and arresting anyone who might oppose them. But the one prize they still seek is the one most valuable to Voldemort: Harry Potter. The Chosen One has become the hunted one as the Death Eaters search for Harry with orders to bring him to Voldemort… alive.
Harry’s only hope is to find the Horcruxes before Voldemort finds him. But as he searches for clues, he uncovers an old and almost forgotten tale—the legend of the Deathly Hallows. And if the legend turns out to be true, it could give Voldemort the ultimate power he seeks.
Little does Harry know that his future has already been decided by his past when, on that fateful day, he became “the Boy Who Lived.” No longer just a boy, Harry Potter is drawing ever closer to the task for which he has been preparing since the day he first stepped into Hogwarts: the ultimate battle with Voldemort.
When the Harry Potter and the Deathly Hallows book came out in July 2007, my then-roommate wasn’t going to read her copy right away, so I decided to read it all in one day, just to prove I could. Six hours later, my conclusion was that it was a great read, I cried like a little child when Dobby died, and I was able to successfully cite Ernest Hemingway in defending J.K. Rowling’s use of a train station to symbolize the afterlife.
I did not keep up with the Harry Potter movies in a similar fashion, mostly because movies are damn expensive and borrowing a book is free. However, I think that based on just how damn epic the movie looks—and my own curiosity about how the trio of Daniel Radcliffe, Emma Watson, and Rupert Grint have matured as actors over the last nine or ten years, depending on when you want to start counting—I’m going to try and start re-watching the series again, just to get caught up before the movie’s release on November 19.
I’m going to come right out and say it: I totally believe in Seth Rogan as the Green Hornet now.
Here’s the synopsis:
Britt Reid (Seth Rogen) is the son of LA’s most prominent and respected media magnate and perfectly happy to maintain a directionless existence on the party scene – until his father (Tom Wilkinson) mysteriously dies, leaving Britt his vast media empire. Striking an unlikely friendship with one of his father’s more industrious and inventive employees, Kato (Jay Chou), they see their chance to do something meaningful for the first time in their lives: fight crime. But in order to do this, they decide to become criminals themselves – protecting the law by breaking it, Britt becomes the vigilante The Green Hornet as he and Kato hit the streets.
Like many geeks, I was dubious at the thought of Rogen as an action hero, but then I was correctly reminded by the trailer that it wasn’t Van Williams who kicked ass in the 1960s TV show, but Bruce Lee as Kato.
I think I’m also fond of what Rogen seems to understand about Britt Reid as the movie-going audience of today will see him. He’s not as smart or as hot as Robert Downey Jr’s Tony Stark, nor is he as tortured and angst-ridden as Christian Bale’s Bruce Wayne, and that’s perfectly fine with me.
The Green Hornet comes to theaters in the U.S. on January 14, 2011.